DisappointingApril 28, 2007 1 out of 2 found this review helpful
Vivid description of San Francisco during the Gold Rush, but the story was disappointing - the character, her love interest - too predictable and fairy tale. Too much sex - not of the good kind. Somehow, it just seemed unbelievable that the main character, Nora, was having such a rockin' good time as a prostitute. The author seems promising - I'll give her another chance and look forward to her next book, but I hope that her fiction can develop a little more. She's obviously a great researcher, and can craft a basic story, but it needs a little more work.
great historical fiction and postmodern perspectives on sex, gender, and the wild westMarch 27, 2007 1 out of 2 found this review helpful
Here in the Bay Area, Erika Mailman is a very popular local author for her fabulous history column and many historical publications based on Oakland, CA. A departure from her nonfiction books, "Woman of Ill Fame" is a her first published novel and this book was such a delight to read that I am compelled to post my first review on Amazon. I simply couldn't put this book down and stayed up to the wee hours reading twist after turn in this enjoyable and gratifying story! Mailman's novel has a little bit of everything: sex and romance, murder and mystery, as well as, a historical sense of place and a unique cast of intriguing and endearing characters.
As a historical researcher, Mailman's knack for rich detail makes Gold Rush era San Francisco just spring to life from the pages of this book! Mailman deftly captures the Wild West atmosphere with gritty realism (e.g. in one scene, the protagonist Nora describes, with historic accuracy, the tragic fate of young Chinese sex slaves caged in Opium dens). At the same time, Mailman conveys a realistic sense of opportunity that "uncivilized" California afforded so many early settlers. It's no surprise that California granted women the vote long before the rest of the Union. Mailman's tact for era-appropriate dialogue is also worth noting - it's the perfect balance and never feels contrived. If you enjoyed similar elements of realism in HBO's series "Deadwood," you will enjoy this book - pick up your copy today!
One more thing: Like many of the novels characters, the story's protagonist Nora Simms is refreshing and quirky. At times while reading this book, Nora's internal dialogue on gender relations literally made me laugh out loud! Mailman doesn't rely on overdone hooker cliches and presents young feminist female readers with a character that we can identify with. With a deconstructionist lens, this exploited Gold Rush era sex worker becomes a strong, sexually empowered, and financially independent multi-dimensional character, who is reluctant to relinquish her feedoms for marriage despite the social stigmas of her day. Nora feels very human - complete with flaws and rationalizations, moral flexibilities and insightful wit. I hope we'll see Nora Simms again in a sequel by Mailman!
Naughty and NiceMarch 13, 2007 For as many books are written on the subject, you expect that every prostitute on the market has a heart of gold. Since such homogeneity is unfeasible, if not downright reductive--the population of soiled doves is surely as diverse as any other of society's phyla. Nora Simms, the protagonist of Erika Mailman's new novel, Woman of Ill Fame, is one of the kindest--and strongest--ladies of the evening in recent memory.
Nora's most memorable trait isn't her kindness, however. It's her frank acceptance of her situation, and her desire to make the most of it. She isn't squeamish about sex, takes pride in her physical gifts, works hard, and tells white lies to protect those she cares for. Arriving in San Francisco just after the Gold Rush has turned the city into a boomtown, Simms is shocked to discover a connection between her and a rash of murders. With considerable acuity she manages to protect her fellow prostitutes, duck the moral judgement of her landlord, elevate her status, find a suitor, all while trying to track down the vicious murderer.
Mailman seeds her historical research carefully, letting it bloom in just the right moments and measures. Woman of Ill Fame is a compulsively good portrait of vice, virtue, and early California.
Best read in a long, long, long time!March 7, 2007 0 out of 1 found this review helpful
I read a book a week on average and this is by far my favorite in a long, long time. The author is a master of history and story telling. Nora is the most lively, complex and funny heroine. The story moves fast and is full of surprises and humor. Nora is refreshingly real and it is so much fun to watch her struggle with various moral issues while doing her best to be true to herself. I have recommended "Woman of Ill Fame" to two of my clients and they have both told me they tremendously enjoyed the read. I can't recommend buying this book enough. I am eagerly awaiting Erica Mailman's next book. Wish she'd write a follow up to "Woman of Ill Fame. " I'd love to see the next chapter of Nora's life.
San Francisco Bay Guardian ReviewFebruary 20, 2007 2 out of 3 found this review helpful
These days, if you were to hear the expression "ill fame," you might conjure up the Us Weekly mug shot of some wannabe celebrity. But in the San Francisco of 150 years ago, terms like "ill fame" and "frail" were slurs branding a woman as a prostitute -- and, as such, crop up with colorful frequency in Oakland author Erika Mailman's seductive debut novel, Woman of Ill Fame.
Mailman deftly transports us back to a crazy boomtown San Francisco flooded with fortune seekers who indulge in the city's notorious sex scene and wince at the outrageous cost of housing. That might call to mind the dot-com silliness of the late '90s, but it's also a fair depiction of the city during the gold rush of 1849.
Woman of Ill Fame's narrator is 18-year-old Nora Simms, who sails into town from Boston to mine the miners of their paychecks by selling them a few minutes with her body. Don't expect any angst or apologies for this, though. Nora is no hooker with a heart of gold, and Mailman doesn't try to apply the mainstream, modern-day view of prostitution to a time and place whose inhabitants lacked our compassion -- or squeamishness. Instead, we're rooting for Nora as she starts at the bottom of the local sex trade in the disease-infested row of working-girl stalls nicknamed "the cowyard," daydreaming of the time when she'll ascend to an upscale parlor house where the women wear ornate gowns and adopt bogus French accents.
Nora's ambitions hit a snag, however, after the trunk containing all her worldly possessions is stolen. Worse still, the bodies of butchered prostitutes begin turning up around town, and each of the victims is found wearing an item of clothing from Nora's vanished trunk.
The whodunit aspect makes Woman of Ill Fame a page-turner, and Mailman manages to keep the reader guessing. Yet it's the depiction of early San Francisco that propels this thriller above its genre, in the manner of historical fiction such as Caleb Carr's The Alienist. While the serial killer plot fuels the ride, the rich historical details take command of our senses, transporting us backward in time to step in the muddy streets and smell the stench of a city newly born.
As the author of two local-history books, Mailman has done the homework necessary to paint this vivid portrait. And as a fixture of the local writing scene, she has quietly and doggedly been honing her craft for more than a decade in places such as the San Francisco Writers Workshop. Now all that hard work is beginning to pay off, with Mailman emerging as a San Francisco author to watch. A second historical novel, The Witch's Trinity, is scheduled to come out in time for Halloween on Random House. Going from obscurity to two published novels in nine months is quite a feat -- and virtually unheard of. Clearly, Mailman's publishers are betting they've discovered new gold in San Francisco. *
