Languages:English (Original Language), English (Unknown), English (Published) Media:Paperback Pages:512 Number Of Items:1 Shipping Weight (lbs):1.9 Dimensions (in):9.1 x 7.3 x 1.4
Publication Date:October 16, 2007 Availability:Usually ships in 1-2 business days Condition:Brand New Book direct from the publisher. Ships from New York within one week from order. Please allow up to 15 days for delivery. Returns accepted. Satisfaction guarantee.
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As good as volume IMay 31, 2009 Claude Reich(Florianopolis, Brazil and Paris, France) 2 out of 2 found this review helpful
The second volume of John Richardson's monumental Picasso biography, this book focuses on the inception and rise of the Cubist movement, immediately following the production of the iconic "Demoiselles d'Avignon" in 1907. It is as lively written as volume I and is full of anecdotes, some of them previously unpublished, black and white illustrations of every single work discussed by the author (some in private collections and therefore rarely seen), and pictures of Picasso's friends, entourage and places he visited at the time. The relationship between the artist and his various dealers (Kahnweiler, Rosenberg, Guillaume) is particularly interesting and very well described.
The intertwining of the artist's life and his art is very well rendered by Richardson, who has managed once again to write a book that is at the same time erudite, simple to read and devoid of any pedantic cant.
fantastic bookMarch 24, 2008 Dessislava Boneva(Georgia) 1 out of 1 found this review helpful
This is the real deal when it comes to deep, satisfying biographies. Written by a true expert, it is also ful of life and lively details and manages to bring the enigma of Picasso closer to our understanding. I cannot compliment the author enough on bringing forth such a treat.
Picasso : The Cubist Rebel is the second volume in the projected four volume magisterial biography by John RichardsonDecember 20, 2007 C. M Mills(Knoxville Tennessee) 6 out of 9 found this review helpful
Pablo Picasso (1881-1973) was an amorous Andalusian who spent most of his life in Paris. Picasso is the greatest artistic genius of the twentieth century. In this second volume of his sine qua non biography of the complex painter his friend John Richardson does a superb job of looking at his life from 1917-1932. The small print text of over 400 pages is complimented by the works of the master which are being discussed in the text. I love this technique! It makes Richardson's astute analysis of the artwork much easier to understand!
This era in Picasso's career is concerned with his invention of CUBISM a revolutionary avant-garde movement which changed the way we see and interpret art! Picasso drew on his love of Cezanne, El Greco and others to move from his blue and red period into the wild world of cubism. Cubism breaks down pictorial forms into angles and presents them to our eye as two-dimensional. Cubism makes use of cubes and lines, cones and
spheres to entice us into seeing reality in a new way. The movement was launched with Picasso's great 1907 masterpiece: "Les Madimoiselles d' Avignon." Picasso along with his best friend Georges Braque and lesser lights such as Juan Gris were in the vanguard of the burgeoning movement sweeping all aside! Cubism would be virulently attacked during World War I by French chauvinists who believed the movement was German and led by spies and decadents. As the war ended we see Picasso moving to neoclassicism. It was also in these years that he moved from a bohemian life to one of wealth and renown in the art world.
During these years Picasso lost his father and found several art dealers (especially in Germany and Russia) who purchased his art at high prices. His friendship with Gerturde and Leo Stein led to his being known in the United States. During this time we learn of his friendships with the eccentric poet Apollinaire and Max Jacob a Jewish convert to Catholicism who was a writer and worshipper at the great artist's throne.
As always we see Picasso falling in and out of love. He broke with his live in lover Ferdinand Oliver and almost wed a woman named Eva. He had torrid affairs with the lesbian bisexual Irene Legut and a woman named Gaby who refused to wed the mecurial quick-tempered moody Spaniard. The book ends with Picasso working on the art work curtains for the ballet
"Parade" produced for Serge Diagheliv's ballet company. It was then he got to know Stravinksy and Erik Satie as well as Jean Cocteau who became a big fan of Picasso. It was while working on the ballet in Rome that P:icasso met his first wife the lovely Olga Khoklova who was a ballerina with the company.
Picasso is an enigma entwined in a mystery! He could be generous and parsiminous, violent and gentle, loving and sadistic. I applaud his pacificsm during World War I. Browsing through these many pages one is astounded at the range and breadth of this artist's oeuvre. Only Henri Matisse can compete with the Andalusian bull.
No one can understand Picasso without devouring these volumes by Richardson. As Picasso changed the way we see so too does Richardson alter our perception and understanding of Picasso and Cubism.
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