Lucille: The Life of Lucille Ball

Brady is the only biographer to have spent extensive time in Jamestown, New York, Lucille Ball's hometown, where she interviewed Ball's childhood friends. Other interviews for the book included family, employees, Bob Hope, Katharine Hepburn, Ginger Rogers, Milton Berle, Maureen O'Hara, Maxine Andrews of the Andrews Sisters, and the late chairman of CBS Bill Paley. Kathleen Brady's definitive biography presents a human Lucille Ball the fans have never known: the would-be showgirl in New York, fired almost as soon as she was hired because she was too flat-chested and mousy; her great love for Desi Arnaz, their tempestuous marriage, the day she thought she had killed him with a hammer, and the incident that ended their marriage; Lucille as head of Desilu Studios, overriding the advice of her most trusted executives and agreeing to green light the pilots of Star Trek and Mission Impossible; and her run-in with the House on Un-American Activities Committee and fears of being black-listed.

Brady reveals that Lucille Ball's life was a roller coaster, going from disaster to victory and triumph to tragedy. As a young woman, Ball believed that she had to work had to make people like and appreciate her. As a star, she felt she had to work hard to maintain her popularity, and was also conscious that what her fans wanted from her was not herself, but Lucy Ricardo.

Of the first edition of this book, published by Hyperion in 1994, critic Molly Haskell wrote: "It's a beautiful portrait of someone with enormous talent as an entertainer and heartbreaking fragility as a woman. In giving Lucille Ball the serious appraisal she deserves, Kathleen Brady has really gotten behind the scenes and the cameras to provide an invaluable chronicle of several areas and eras of show business."

New to this edition of Lucille is an introductory essay focusing on the place of the character of Lucy Ricardo in the history of comedy, going back to the traditions of the Italian commedia dell'arte and forward to the end of the 20th century. In this essay, Lucille Ball is compared to other key female figures in comedy like Mabel Normand, Mae West, Frannie Brice, Gilda Radner, and Fran Drescher. As the author writes, "Lucille Ball was a revolutionary figure because Lucy Ricardo was the first female character to combine the knock-about physical comedy of vaudeville and music halls (and 15th century carnivals) while being beautiful, feminine, and sweetly appealing." This edition also includes many new photographs from various sources.

A few years later, when Lucy returned to television, along with Ethel, rechristened as Vivian, I kept longing for DesiRicky to show up. Of course he didn't. Later, I saw some of her early movies and became one of the three people in the US who loved her on the screen as Mame. Even though I appreciated her skill and talent, for me, she was always Lucy Riccardo. Somewhere along the line, though, I realized that Lucille Ball was more complex than her TV counterpart.

Of the half-dozen books I've read about Lucy, which include the newly-released "Ball of Fire", a couple of the books about the series, and Vance's biography, Kathleen Brady's is my favorite. She comes closest to cracking the code, finding what drove Lucille Ball to the top of her profession.

Brady treats her subject tenderly, but does whitewash the harder side of her character. Rather, she tries to bring the apparently incompatible parts of her personality together into one whole, very understandable person. As much as is possible, she succeeds.

Where she is sure of details, she gives them. Where she is not, she offers alternate possibilities, for example, the unknown cause of Ball's paralysis that sent her home from NY and to bed for months or, on the more humorous side, exactly what happened the night that Tallulah Bankhead decided to disrobe during a production meeting of the LucyDesi Comedy Hour.

Well-researched and well-written, this is mandatory reading for any die-hard Lucy fan and an excellent choice for anyone who intends reading only one book about America's most famous comedienne.