Product Description The House of the Seven Gables is a novel written in 1851 by American author Nathaniel Hawthorne. The novel begins: Halfway down a by-street of one of our New England towns stands a rusty wooden house, with seven acutely peaked gables, facing towards various points of the compass, and a huge, clustered chimney in the midst. The street is Pyncheon Street; the house is the old Pyncheon House; and an elm-tree, of wide circumference, rooted before the door, is familiar to every town-born child by the title of the Pyncheon Elm. The Pyncheon family actually existed and were ancestors of American novelist Thomas Pynchon. The House of the Seven Gables likely bears no relation to the novel, as its seven-gabled state was unknown to Hawthorne and he often stated that it was a work of complete fiction based on no particular house. This seven gabled house which has been suggested to be Hawthorne's inspiration is a museum in Salem, Massachusetts that was founded to fund an accompanying settlement house. - Excerpted from Wikipedia, the free encyclopedia.
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An extremely interesting storyMarch 6, 2008 5 out of 5 found this review helpful
"Half-way down a by-street of one of our New England towns, stands a rusty wooden house, with seven acutely peaked gables, facing towards various points of the compass, and a huge, clustered chimney in the midst." And this solid and antique house contains many things - memories of those who lived and died there, and the terrible secrets that haunted those long dead, and haunt the living to this very day. This is the story of Hepzibah Pyncheon, an old maid who carries the weight of the past like a millstone about here neck; Clifford Pyncheon, whose past has left him a broken and haunted old man; Judge Jaffrey Pyncheon, a veritable echo of all that is good and bad in the Pyncheons; Phoebe Pyncheon, an unspoiled country cousin who finds herself sucked into the mysteries contain in the dark and sinister house; and finally Holgrave, a daguerreotypist and an outsider, perhaps the only one who truly knows the secrets of the House of the Seven Gables.
This is a classic of American literature, written in 1851, when railway trains were still a novel and exciting invention, when spiritualism was the rage, and when mesmerism had everyone...well, mesmerized. It was also a time when books came out slowly from the presses, and people expected long, flowing books that gave them more for their money and kept them entertained through the long pre-TV days. As such, it must be admitted that the modern criticism that the book is ponderous or slow-moving, does have some justification.
But, in spite of that, if you can keep at this book, you will find yourself rewarded with an extremely interesting story, a mystery set in a strange setting that is sure to keep you on the edge of your seat. I enjoyed reading the deep and winding plot, watching the mysteries unravel in a seemly inevitable manner, like doom itself. I really enjoyed this book, and don't hesitate to recommend it!
Hawthorne as Dark HumoristFebruary 19, 2008 This isn't exactly a page turner, for that you should check out Hawthorne's short stories. However, the writing here is very good and the story is interesting. What struck me most of all about this book, however, is how funny it is. Not funny in a joke-cracking way, knee-slapping kind of way, but Hawthorne has a very dark sense of humor, and in this book he deals with dark themes like death, curses, witchcraft, and old age in a surprisingly humorous and deadpan manner. He writes the best death scenes! I don't want to give away any details, but you need to look past the image of Hawthorne as a stuffy dead white guy in order to appreciate this book.
More fun than I thought it would beFebruary 6, 2008 Purchased in anticipation of a trip to Salem, MA to visit the actual House of the Seven Gables, I have to admit that I enjoyed this book far more than I thought I was going to. Written in 1851, The House of the Seven Gables is at once both a period romance and history of the Pyncheon family, focusing on a several week period of the lives of the current owner, Hepzibah Pyncheon, her brother Clifford, cousin Phoebe and their lodger, Holgrave. Themes of guilt and retribution run throughout the novel, as the histories of both the house and the Pyncheon and Maule families are all brought to light.
Hawthorne relies heavily on not only his own family's history to help him build some of the plots in his novel, but also on the general history of the area, with aspects of the novel dating back to the Salem Witch Hysteria of 1692. The house has stood for centuries as a spectator to these happenings, and seems to be haunted by the ghosts of the suffering that has occurred within its halls.
While suffering from many of what I see as familiar plot devices for its time (family secrets, hidden identities, convenient deaths and sudden marriages that let everyone live "happily ever after"), Hawthorne was still able to craft and wonderful and imaginative novel. While some of the descriptions may seem extraordinarily long by todays standards, I felt as though this added to the books charm. Some may find it hard to read, but if you let yourself be picked up by the story and not try to think your way through the book, you'll soon find yourself completely engrossed in poor Hepzibah's trials and tribulations.
ponderousAugust 3, 2007 2 out of 4 found this review helpful
Dusty classics of this type when assigned to poor high-school kids typically elicit a wave of one- and two-star reviews consisting mostly of complaints that the work was "boring", usually for the reasons of too much description or most commonly, "no plot". They have trouble simply getting through it, but their school deems the work edifying, or at least did the last time anybody bothered to review the reading lists, so it's off to SparkNotes and the sham continues.
I claim boredom for this work but not in that sense, having read it voluntarily after all. Two novels I have ploughed through in the last year, namely The Idiot and Tale of Two Cities were more "boring" in the sense of being hard to get through, though both were greater novels by far I thought. I had no trouble on the other hand getting through Seven Gables. The boredom for me rather arose from finding nothing particularly compelling about Hawthorne's observations. Only a ponderous "behold my pronouncements" style. Rendered the more dull read so soon after that marvel of deft wit and light touch, Gulliver's Travels. Hawthorne is the anti-Swift--no travels for him! His lumbering, self-important prose reflecting his stolid, adventure-free life.
An indiscriminate deployment of minute analysis unto every topic that wandered into his view--the chickens, the getting of Phoebe out of her bedroom and down the stairs (3 pages), as examples. And to what end? A dubious premise--that the sins of the ancestors are visited upon the descendants. By what mechanism--karma? The kind of God who keeps a ledger of credits and debits? Some mysterion he couldn't be bothered to elucidate, just woooo--ghosts! Then a banal and predictable outcome, in which all live happily. Half-baked trends such as "mesmerism" offered but not defended.
How the novel might have been improved by Hawthorne getting out the damn house and down the street. Wade into the hubbub down at the Salem wharfs five minutes away--plenty of real adventure and drama to be found there, no need to resort to spooks. Dickens walked miles and miles in London. Melville went whaling. But this recessive little piggie stayed home, and the book suffers for it. Humorless gasbag, I say.
Departure from what I normally read, but goodJuly 24, 2007 I've had a copy of the House of Seven Gables sitting on my bookshelf for a number of years. The poor little book is slightly out of place between a plethora of fantasy and science fiction novels. Every once in a while I try to venture into a different realm of subject. That's the reason I finally picked up this book to read. I would have read it sooner but I was forced to read "The Scarlet Letter" in high school and never had the heart to read another Nathaniel Hawthorne novel.
Not expecting much, I have to say I was very impressed with this book. The details got to be a bit much at times. I have to admit there were parts of the book that I scanned quit quickly because I just didn't need to know that much description about a certain thing.
That being said, Hawthorne was very good at clearly painting a picture in my head. I could smell the mustiness of the house, feel the joy when Phoebe entered a room, and feel Clifford's sadness and confusion. What took me by surprise was the sharp wit throughout the book and intellectualness of this wit. Quit often I found myself laughing out loud at some of the dry humor in this book. Also of course there was the mystery of the book which kept you hanging on until the end.
I don't know that I will read any additional Hawthorne novels but I would recommend this as a good example of his work. It is much more interesting and engaging than the Scarlet Letter.
