Edward Hopper |  | Authors: Sheena Wagstaff, David Anfam, Brian O'Doherty
Publisher: Tate
Category: Book
List Price: $55.00
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Rating:  1 reviews
Sales Rank: 781686
Media: Hardcover
Pages: 256
Number Of Items: 1
Shipping Weight (lbs): 3.9
Dimensions (in): 11.8 x 9.8 x 0.9
ISBN: 1854375334
Dewey Decimal Number: 709
EAN: 9781854375339
ASIN: 1854375334
Publication Date: August 1, 2004
Availability: Usually ships in 1-2 business days
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| Editorial Reviews:
Product Description
More than any other artist, Edward Hopper (1882-1967) made the unique visual landscape of the American city his own. In his works, all-night diners, motel rooms, and deserted, after-hours offices are sparsely populated with isolated, brooding figures. While never directly narrative, his restrained and carefully handled oils and watercolors have a timeless, universal quality that has long struck a chord with a huge international audience.
From paintings made in Paris in the early 1900s to iconic views of Manhattan created more than 60 years later, this book examines Hopper's work in the context of both American and European painting from the turn of the 20th century to the 1960s. The influence that film and other forms of popular culture had on Hopper is explored here for the first time. Published to accompany a major retrospective exhibition at Tate Modern in London, this stunning book is the definitive work on this quintessentially American artist. AUTHOR BIO: Sheena Wagstaff is director of exhibitions at Tate Modern, London. Peter Wollen is professor of film, television, and digital media at UCLA and a filmmaker, critic, and scholar. David Anfam has published widely on American art. Brian O'Doherty is an artist and critic and the author of American Masters: The Voice and the Myth in Modern Art. Margaret Iverson is professor in the department of art history and theory at the University of Essex, England.
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| Customer Reviews:
Beautiful book July 19, 2005
Richard Brown (Sanat Paula, CA USA)
13 out of 21 found this review helpful
This book is superb, both the beautiful reproductions of the paintings, and the written information and commentary. There are also excellent black and white photographs taken in and around Hopper's studio, some of which include the artist.
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