Jane Eyre

Jane Eyre is an orphaned child under the guardianship of her maternal aunt. Not liked by her aunt and not able to get along with her cousins, Jane is sent to Lowood School for the children of the poor (it is a charity school) to be taught the fundamentals and, more importantly, to be conditioned for a life of poor expectations. Lowood changes the strong willed, impetuous Jane into a woman of uncommon restraint. When she accepts a post as governess to Adele at Thornfield Hall, she attracts the attention of Mr. Rochester, the master of the house, who has the desire to reclaim himself from a sordid past. He comes to believe that Jane has the power to transform him and help him to realize himself in the better light that he has not heretofore been able to achieve on his own. But his secrets are not far away and peculiar events at Thornfield make the reader question his advances. Sworn not to ask about who or what is in the room on the third floor, Jane's iron resolve begins to falter with the dreamlike romance and the reader begins to trepiditiously hope for her happiness. When Mr. Rochester is unable to keep his past under wraps, however, Jane is forced onto a path that will require all of her internal resources to survive but will ultimately put her in the position to make choices for herself rather than just choose among available options. The question is, with her conditioning, can she lead with her heart instead of her head?

My only legitimate greivance, and given only in the vein of humour, is that is seems like Jane would have taught Adele some English. The child speaks only in French and myself not being able to read French, I did not understand anything the child ever said. Luckily, her exuberance and intent still comes through and the reader can develop a softness for the child without understanding her dialogue.


Love Story Sublime   April 23, 2007
Paul McGrath (Sacramento, CA)
21 out of 21 found this review helpful

There is so much to be said for this novel that it's difficult to know where to begin. It is a superb evocation of a time and place; it is a complex, detailed character study; it has a believable and compelling plot; and, more than anything else, it is a magnificent love story.

Of course, love stories are the common denominator of human existence and have been the subject of literature since mankind first put charcoal to rock, so the fact that Jane Eyre is a love story is nothing terribly significant. No, what makes this novel so special is the thoughtfulness with which its narrator, Jane Eyre herself, documents her love affair. She is extremely intelligent, she carefully analyzes her feelings and actions, and she is scrupulously honest with both herself and her reader. This is what sets it apart: it is the depth of these thoughts and feelings that make the novel interesting. Beyond that, though, it is the character of Jane, slowly revealed, that makes the novel a delight.

The plot is Jane's story. Orphaned, she is sent to live with her cruel aunt and cousins. At the age of ten she is sent away for good to a charity school, at which she gets her education, but which is run in such a miserly fashion that many of the students there actually die of disease and starvation. Jane survives, and at the age of eighteen, is able to secure a position as a governess to a child in a great house of England: Thornfield Hall. It is owned by Edward Rochester, the man who will become the centerpiece of her life.

How the two begin to slowly realize their affection for one another, how they then cautiously begin to act on their feelings, and how they must then surmount the obstacles in their path--both societal and self-inflicted--are what make up the bulk of the novel. There are at least a few surprises along the way. The strong-willed Jane's moral code requires that she respond to these difficulties in certain ways. It is to the novel's and the author's great credit that these decisions are never simply made; Jane agonizes over them in heart-wrenching fashion. As in life, the standards one chooses to live by can be difficult to maintain.

This defining tension is what drives the novel, but that it is delivered in such a skillful and assured way is what raises it to its lofty status. The dialogue, particularly, is fantastic. It is the stuff of an actor's dream: much of it can be interpreted in several different ways. Jane describes Rochester as being moody and tempestuous, and he often is, but at the same time--particularly after Jane agrees to marry him--he is hilariously wry and bemused. Jane comes across as being earnest and pleading, but she can be very playful and is often flirtatious. As mentioned above, these are deep, achingly human characters.

The setting is also very evocative. The English countryside, class system and moral understanding were obviously familiar to those who read the book in Ms. Bronte's day, and probably familiar to many of us in this day and age. Nevertheless, Ms. Bronte took the time to document these things carefully. The descriptions of Rochester's home, the lanes in front if it and its orchards and fields; the destitute and grimly cold school for girls; and the small country town where Jane makes the acquaintance of a small group of benefactors towards the end of the novel are all a testament to life as it existed at this distant time and age.

The novel is looked upon as a classic and should be. Ms. Bronte not only created a beautiful piece having to do with the nature of love--personal to her but universal in nature--but did so in such a spectacular way that she actually makes the reader feel this love, both for her creation, and for her.